Once again, Fort Mifflin in Philadelphia, Pennsylvania hosted the U.S.C.T. United States Colored Troops Civil War Reenactment. It was a two-day event. This blog entry features photographs and videos of the second day (Sunday, April 7, 2013). The event featured camp life, firing demonstrations, displays, lectures, music and more.
Here is a photo of Antoine Watts portraying Jacob C. White (there were some great stories about incidents on horse carts):
A band known as Becton Kemp And Watts (featuring Joe Becton, Crystal Kemp and Antoine Watts) performed a few songs. Here is a photo of the band:
I do have some Becton Kemp And Watts performance videos. First off, youtube is giving me trouble. In all of my years on that website, this is the first time youtube is giving me problems over copyright. All of the songs I uploaded are public domain so I was shocked to see a third party claim. The problem is that shady people have put copyright claims in for songs that are many years old and youtube is allowing them to make money off of the work of other people. Just so you see how disgusting the matter is, someone has a copyright on the music playing while the American Flag is lowered and youtube facilitates this with new software that can listen to a video without a title being in the video. I uploaded the following five videos and youtube put copyright claims in for three of them so I deleted them and uploaded them to my photobucket account. When I heard about youtube being sold to google in 2006, I knew it would cause problems. The problem with photobucket is the size limit. The same can be said for vimeo. Dailymotion uses ads so for now, photobucket is my only option. In order to upload them to photobucket, I had to decrease their megabyte size using Windows Live Movie Maker. They are now of lesser quality. I hope to run into Joe at the Neshaminy Reenactment later this month so I can give him a CD with the original higher-quality versions. Now for the videos ...
Here they are performing "Battle Cry Of Freedom" ... the "Union Version" of course:
George Frederick Root wrote this song in 1862. Like a fool, I was not paying attention and I left Crystal out of the footage. She is in the other concert videos.
Here they are performing "Goober Peas":
The url for the above video: https://www.youtube.com/watch?v=ktVRdZswhTk
I am the guy speaking in the beginning (in reference to the newspaper article). This song was performed by Confederate Soldiers during the War Between The States. The reason why it was performed at this event is due to the word "Goober" itself. It is derived from the West African word "nguba" which translates into our language as "peanut". Peanuts were transported on the same ships as captured slaves and the variation of the term nguba survives to this day. More information can be found at this link: http://www.answers.com/topic/goober
Here they are performing "Give Us A Flag":
The url for the above video: https://www.youtube.com/watch?v=Pe3xtdwznl8
This song was written by a Black Soldier from the 54th Massachusetts Regiment in 1863. The following links will give you information and the lyrics to the song: http://www.scholarlyediting.org/2013/editions/aa.18630620.1.html & http://www.musicanet.org/robokopp/usa/giveflag.htm
Here they are performing "Amazing Grace":
This video features footage of the second day in four parts [1. Firing Contest (3rd Regiment, 6th Regiment and 26th Regiment), 2. Final March, 3. Lowering Of The Flag and 4. Final Words]:
The Final March ...
Here is the flyer showing the itinerary of the day:
This is a "Before And After" video for a 78 RPM record that I recently acquired. It is titled "Juke Box Polka" by Johnny Vadnal And His Orchestra. I also recently acquired a used Audiotronics 304E record player as well as a couple new old stock dual-needle cartridges. I played the record before cleaning it with the old needle and then I played the record after it was cleaned with a new needle.
Part 1 was filmed on April 2, 2013 and Part 2 was filmed on April 3, 2013.
https://www.youtube.com/watch?v=Sm-HdgyhC_o
Here is my assessment ...
1.) The scratch sounds are gone and only the background noise remains.
2.) It actually sounded clearer and otherwise better when it was dirty ... it has a muffled sound now. I can only guess that the original needle was manufactured closer to the time of 78s and therefore will allow superior sound quality whereas the other needle was manufactured, I presume, in the 1960s or the 1970s or possibly the 1980s. Either that or I messed up the 78 record by cleaning it, haha.
I did take "Before And After" photographs. Unfortunately, they look almost exactly alike. This is due to the amount of scuffs on the record as opposed to dirt.
By the way, the record is dated between 1946 and 1952. I used this link http://majesticrecord.com/labelsvictor.htm to come to that conclusion.
I am very happy with the Audiotronics 304E. It is doing what I want it to do.
March 2, 2013 began my first event pertaining to the "Operation: Last Chance" concert series I launched earlier this year. This concert was called the Spring Doo Wop Cavalcade and the bands on the bill were The Tymes, The Legendary Teenagers, The Demensions, Jay Siegel's Tokens, The Chantels, The Passions and The Excellents. Each act featured at least one ORIGINAL member and an ORIGINAL member of The Classics, Emil Stucchio, was the MC for the evening. The event took place at the American Music Theater in Lancaster, Pennsylvania.
The first act was The Excellents, with original vocalist John Kuse. I arrived to the gig late so I only caught the third and last song of their set. It was their hit "Coney Island Baby" and I am elated I arrived to hear at least some of it. They will be back in the area on March 22 so I can see their full set at that time.
The Passions, featuring original vocalist Jimmy Gallagher, hit the stage next with a no nonsense setlist. The first song was "This Is My Love" followed by the upbeat number called "I Only Want You". The Passions closed with their best known song, "Just To Be With You" ... a tune that reached number 69 on the billboard chart and was a top 20 hit in cities on the East Coast in 1959. The group has a bunch of other songs that I would like to hear in the future. Hopefully I will see them headline some time soon.
Here is a non-flash photo. As you can see, it is always better to use flash!
The Chantels, including original members going way back to the 1950s, Lois, Sonia and Renee, walked onto the stage after a flattering introduction. They opened with "Look In My Eyes" followed by "He's Gone". I found the next selection in the set to be very interesting. It was the B-side to the previous song, "The Plea". One of my personal favorites, "I Love You So" was the fourth song and "Maybe" closed their set for the evening. The crowd showed its approval on "Maybe". As everyone in the seats and backstage willl attest to, the girls sounded incredible. It was a flawless set by The Chantels and the most recent member of the group, Ami, did the songs justice.
The url for the above video: https://www.youtube.com/watch?v=qM37oHeH9LE
Jay Siegel's Tokens, a group that I thought would headline the concert based on the promotional information, was next. This line-up of the group is worthy of note because not only is the original vocalist of The Tokens, Jay Siegel present, Jay Traynor of Jay And The Americans is with them as well. The opening number was The Tokens' first ever single, "Tonight I Fell In Love" ... a song I consider to be one of the finest tracks of the era. Another B-side made its way into the evening's program as "I'll Always Love You", the B-side of "Tonight I Fell In Love", was performed. The third song was their 1967 hit "Portrait Of My Love". Jay Siegel made a point to mention that song was a hit post-British Invasion. As many of you know, the British Invasion ruined the scene for the Doo Wop bands and Jay Siegel mentioned that it was very hard for non-British bands to get on the radio back then. Earlier I mentioned the original Jay of Jay And The Americans is part of
this version of The Tokens and after a brief introduction by Jay Siegel, Jay Traynor performed the Jay And The Americans' hit "She Cried" ... a song that reached number five on the Billboard singles chart in 1962. At this point in the show, Jay Siegel talked about how their success as a group afforded them the opportunity to produce songs for other artists. Two of these acts were The Happenings and The Chiffons and in honor of their collaborations, "See you In September" and "One Fine Day" were performed. Closing the set was one of the most recognizable songs in music history, The Tokens' number one single from 1961, "The Lion Sleeps Tonight" and yes, Jay Siegel could still hit those falsetto high notes. I just had to hear it live and I did ... and Jay did not disappoint. At the first note, I knew he would he would do the song justice and he did do the song justice more than fifty years after its initial release.
Jay Traynor singing "She Cried":
Emil walked out on stage once again to announce an intermission. I spent the time talking to some other fans about Doo Wop History.
The first band after the intermission and the fifth band overall was The Demensions, featuring the original vocalist Lenny Dell. They opened with "Zing Went The Strings Of My Heart" followed by "My Foolish Heart", a song that peaked at number ninety-five on the charts. Lenny gave a bit of a historic retrospection on the next song, "Over The Rainbow". He mentioned Judy Garland's version of it for the Wizard Of Oz movie and stated that he is proud it was one of the most popular songs of the twentieth century. The Demensions cover of the track made it to number sixteen on the Billboard chart.
The Legendary Teenagers, featuring original members Herman Santiago and Jimmy Merchant, hit the stage next with an electrifying set. The first tune was "Goody Goody" with the recognizable background harmony "Bop Bop Doo Wop". The second song in the set was "I Promise To Remember". "Share" was next followed by "The ABC's Of Love". The fifth and final song was the extremely well-known top ten hit from 1956, "Why Do Fools Fall In Love". Prior to leaving the stage, the guys parted with some fast and efficient dance moves. By seeing this line-up of The Teenagers, fans were able to experience a little more Doo Wop History through the lead vocalist Timothy Wilson. Back in the 1950s, he fronted the group Tiny Tim And The Hits.
The act that closed the evening was The Tymes, featuring original members Albert Berry and Norman Burnett. The Tymes opened with a cover tune, "Love Train", and continued with their own hit single from 1963, "Somewhere" ... a song that peaked at number nineteen. The band's chart topping number one smash "So Much In Love" was performed next after an introduction that included a reference to the cover versions of the track that were released over the decades. Next up was "You Little Trustmaker". It was a top twenty hit for the band in 1974 ... a song way past the days of the Doo Wop Era, but certainly an important part of the history of the group. In addition to the music, the band members incorporated funny skits typically making fun of their, as they see it, advanced ages. It was an enjoyable show they put on.
After the gig I walked into the lobby and spoke to some fans who noticed my 78 RPM record of "Why Do Fools Fall In Love". I was hoping to get the record signed. As I continued to talk to the dudes about Doo Wop music, I noticed Jimmy Gallagher at a merchandise table and then I saw Herman Santiago hanging out by another merchandise table. Since Jimmy's table had a bit of a crowd, I walked over to Herman. I showed him the vinyl record and he responded to it enthusiastically. I pointed out his name in the writing credits area on the record. This 78 was a first pressing and his name was removed from later pressings. The matter pertaining to the song-writing credits is controversial. The facts can be found with the use of a search engine. In any event, I showed him his name and he signed the 78. After that he handed me one of his business cards. The merch table had photos for sale so I purchased one and he signed that. He signed the ticket stub for me as well. I told him I will be seeing him again a number of times this year.
I need three more signatures now!
The ticket stub (with Herman's signature):
Here is his business card in case you want to book the group:
Here we are!!!
I then walked over to Jimmy and he asked what I had. I showed him the 78
and he made a comment to the effect of imagine if Frankie Lymon signed
it. I showed him his 45 RPM single of his song "Just To Be With You" and
he signed it on the label. I told him when I play it, I can see his
name spinning around.
Here I am with Jimmy Gallagher:
This 45 RPM single of "Just To Be With You" is a First Pressing from August 1959:
I walked out to my car and pulled out of the venue parking lot. I needed fuel so I went to a Hess station. I went into the convenience station in the lot and a few minutes later, Jimmy Gallagher walked in! He jokingly asked if I wanted to take a picture by the coffee machine. I talked to him about his upcoming gigs and about the Doo Wop scene in general.
It was a fantastic night and a fine start to my "Doo Wop Tour" of 2013!
As I have told some of you personally, I am
launching "Operation: Last Chance". It pertains to the bands and singers
of the Early Rock N Roll/Doo Wop/Oldies Era. Most of these people are
over 70 now so it is important to see them asap. Think
about it - this is your opportunity to hear some of the greatest songs
of all time performed by the actual artists who wrote and/or recorded
these songs in the 1950s and 1960s.
My first "Operation: Last Chance" campaign was launched in 2008 and the quest pertained to meeting and writing letters to Super-Centenarians who were born in the 1800s, "Real Children" of American Civil War Veterans, World War I Veterans and World War II Veterans.
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